2011-05-15

The Ariadne Project

A special crossover concert featuring music by Claudio Monteverdi and his contemporaries, as well as a short 31-tone chamber opera by the young Berlin-based composer and lutenist Andreas Arend, based on Monteverdi’s solo aria Lamento d’Arianna, the only surviving part of his opera L’Arianna, which was unfortunately lost. The programme includes compositions by Biagio Marini, Andreas Oswald, Claudio Monteverdi and others. These composers were partly engaged with unusual musical theories, such as chromaticism, thematic coherence and tunings, which at the time led to music that was both innovative and appealing.

Programme

Antonio Bertali (1605-1669) – Ciaconna

Andreas Arend (*1973) – Kanon “Der Wind”

Biagio Marini (1594-1663) – Corrente

Niklas Trüstedt (1944) / Arend / Ovidius – In neue Gestalten verwandelte Wesen

Andreas Oswald (1634-1665) – Sonata for violin, viola da gamba, trombone and basso continuo

Claudio Monteverdi (1567-1643) / Andreas Arend – Arianna in Ballo

First part: Pavana der Wellen
Rezitation
Gagliarda der Wellen
Arioso / Rezitation
Corrente der Wellen

Second part: Lamento d´Arianna

Third part: Chaconne / Dithyrambus

Het Ariadne-project
At the end of the time of the roman republic, the latin poet Catullus published his only book. It contains an epos en miniature, which tells among others the legend of Ariadne. In 1608, Claudio Monteverdi´s Lamento d´Arianna was first performed. It formed part of an opera that is now lost. The lamento´s text appears similar to the corresponding place in Catullus´ poem. The Ariadne-project connects these elements to a new theatre-in-music, in which the Lamento d´Arianna (Lament of Ariadne) is framed on the base of the epos en miniature. The new music for this was composed within the tuning-system of 31 equal steps per octave.

As a prologue to this work, we play music by composers of Monteverdi´s stylistic school, and own songs, that prepare to the following action. Antonio Bertali was Maestro di Capella at the emperor´s court in Vianna. His Ciaconna resembles partly a circle-composition. This, in the 17th century, was a piece consisting of cadences to round the circle of tonality. It was used to proove the quality of tuning systems, such as the one by Vincentino (31 equal steps per octave, this is what we use) or by Salinas (19 equal steps per octave). Andreas Oswald was the organist at the court in Weimar. He died young. His compositions show originality and inventivness. Biagio Marini was one of the first known virtuosos. The corrente we play comes from his op. 8, “con curiose e modere inventioni”.

The myth of Ariadne in our version
First part
Theseus, attic hero, sails to Crete, to the court of king Minos, to kill the minotaur. Ariadne, daughter of the king falls in love with him. She helps him, among others with the thread, that helps Theseus to find his way out of the labyrinth. Theseus promises to marry her. They travel to Athens. They take a rest on the isle of Naxos, where they spend also the night. When Ariadne wakes up the next morning she finds herself alone. Theseus and his men traveled on. He forgot her.

Second part (Arianna´s lament)
Ariadne tries to get hold on Theseus, which is already sailing away. She asks him to come back, asks for pity, gets furious, puts a spell on him, regrets the spell – no answer. She prepares for her death.

Third part
Bacchus, the god, visits Naxos accompagnied by Menads and Satyrs. He and Ariadne come together, and they marry.

Support

This programme was made possible with the support of: SNS REAAL Fonds – renamed Fonds 21 (renovation Fokker organ), Prins Bernhard Cultuurfonds (renovation Fokker organ), Muziekgebouw aan ’t IJ and Huygens-Fokker Foundation.

Fokker organ concert

Sunday 15 May 2011, 11:00 a.m.
Admission fee €13.00 (€10.50 reduced price)

Small Hall, Muziekgebouw aan ’t IJ
Piet Heinkade 1, 1019 BR Amsterdam

Performers

Arianna Ensemble: June Telletxea, soprano / Andreas Arend, recitation and lute / Aureliusz Golinski, violin / Joshua Cheatham, viola da gamba / Wim Becu, trombone / Manuel Lucas, percussion / Ere Lievonen, Fokker organ