2017-10-01

Fokker organ XL!

For this special occasion, the unique acoustic Fokker organ will be expanded with digital organ stops. In this way, various lifelike organ sounds will be added to several works from the Romantic era, which require more stops than the Fokker organ possesses. These additional sounds will, of course, be tuned according to the 31-tone system, allowing major organ works from the 19th and 20th centuries to be performed for the first time in meantone tuning in a truly perfect manner.
Alongside these classical works, the programme features Hilbert’s Hotel by the Dutch composer Rozalie Hirs, in which the spectral electronic sounds merge seamlessly with the organ tones of the 31-tone organ. All of this will be made possible by a new, advanced sound system suspended near the organ pipes from the ceiling of the Kleine Zaal in the Muziekgebouw aan ’t IJ.
Resident Fokker organist Ere Lievonen will take on the admirable task of making this microtonal instrument sound unlike anything you have heard before. In three works for four hands and feet (including the rhythmic, pattern-based Speed Loops by Christina Oorebeek and the short, harmonically rich Spring scram by Lauri Supponen), he will be joined by the young and talented organist Maarten Havinga, who already gave a convincing performance on the Fokker organ last season.

Programme

Christina Viola Oorebeek (1944) – Speed Loops (2016)
1. medium slow
2. shifting

Théodore Dubois (1837-1924) – Cantilène religieuse Marcietta (from “7 pieces for organ”, 1898)

Jukka Tiensuu (1948) – Fantango (1984)

Lauri Supponen (1988) – Spring scram (2014)

Rozalie Hirs (1965) – Hilbert’s Hotel (2015)

Jean Langlais (1907-1991) – Pasticcio (from “Organ Book”, 1956)

Adolf Friedrich Hesse (1809-1863) – Fantasia in d op. 87

Christina Oorebeek over haar compositie Speed Loops

Speed Loops (2016) for quatre-mains on the 31-tone Fokker organ
1. medium slow
2. shifting

In “Speed Loops”, my second piece for this special instrument, I wanted to juxtapose familiar sound textures with those utilizing the 31-tone scale. Repeating rhythmic fragments, little ‘engines of sound’, were the vehicles by which these polarized harmonic and melodic worlds were juxtaposed.

A third element was the use of tempi: steady tempo – ‘ritmo mechanico’, going from very, very slow to asap, and alternating patterns played on the pedals in Part 1, changing speed like someone feeling tipsy, like a ship in a storm.

NB. This composition was funded by the Performing Arts Fund Netherlands.

Support

This programme was made possible with the support of: Prins Bernhard Cultuurfonds, Amsterdams Fonds voor de Kunst, Olga Heldring Fonds, Gemeente Amsterdam (district East) and Stichting Fonds voor de Geld- en Effectenhandel.

Also the SNS REAAL Fonds – renamed Fonds 21 (renovation Fokker organ), Prins Bernhard Cultuurfonds (renovation Fokker organ), Muziekgebouw aan ’t IJ and Huygens-Fokker Foundation.

Fokker organ concert

Sunday 1 October 2017, 11:00 a.m.
Admission fee €12.50 (€10.00 reduced price)

Small Hall, Muziekgebouw aan ’t IJ
Piet Heinkade 1, 1019 BR Amsterdam

Performers

Ere Lievonen, Fokker organ
Maarten Havinga, Fokker organ