Tuning & temperament bibliography

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• Aalst, Jules A. van. Chinese Music. Statistical Dept. of the Inspectorate General of Customs, Shanghai, 1884, 106 pages.
• Aanes, Brendan. "Gareth Loy's Musimathics Volumes I and II (book reviews)", array the journal of the ICMA, 2009, pp. 100-107.
• Aaron, Pietro. De institutione harmonica libri tres. Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516, 127 pages. Reprint Broude Brothers Ltd., New York, 1978. Liber primus, liber secundus, liber tertius. Also here.
• Aaron, Pietro. Thoscanello de la musica. Toscanello in musica. Impressa per Bernardino et Mattheo de Uitali, Venezia, 1523, 1529, 1539, 1562. Reprint Broude Brothers Ltd., New York, 1969. English translation Toscanello in musica by Peter Bergquist, Colorado College Music Press, Colorado Springs, 1970.
• Aaron, Pietro. Trattato della natura et cognitione di tutti gli tuoni di canto figurato. Bernardino Vitali, Venezia, 1525, 1531.
• Aaron, Pietro. Lucidario in musica. Venice, 1545. Reprint, 1969.
• Aaron, Pietro. Compendiolo di molti dubbi. Venice, after 1545.
• Abate, Ezra. "Ethiopian Kiñit (scales). Analysis of the formation and structure of the Ethiopian scale system", Proceedings of the 16th International Conference of Ethiopian Studies, Svein Ege; Harald Aspen; Birhanu Teferra and Shiferaw Bekele (eds.), Trondheim, 2009, pp. 1213-1224.
• Abbado, Michelangelo. "Terzo e quarto suono", Rivista italiana di musicologia vol. 5, 1970, pp. 99-147.
• Abbatini, Antonio Maria. Codici contenenti diverse lezioni teorice. Bologna, 1667-1668. (below)
• Abbatini, Antonio Maria. "De Diatessaron Consonantia li 18 febbraio 1667. MS C.48", Bologna, 1667.
• Abbatini, Antonio Maria. "Che i Modi ò Tuoni sono sei. Li 11 Settembre i667. MS C.48", Bologna, 1667.
• Abbatini, Antonio Maria. "Lettione quarta De Genere Multiplici et eius species. Li 2 Luglio 1668. MS C.48", Bologna, 1668.
• Abbatini, Antonio Maria. "Lectio settima Delle varie spetie dell' ottaua et quinta. MS C.48", Bologna.
• Abbatini, Antonio Maria. "Del Genere Moltiplice ch' è De le Proportioni che danno la forma all' Interualli. MS C.48", Bologna. English translation "On the Multiplex Genus which belongs to the Proportions which represent the Intervals", WWW, 2012, 3 pages.
• Abbatini, Antonio Maria. "De Generi di Proportione. MS C.48", Bologna.
• Abbatini, Antonio Maria. "Numero 12 De Dissonantijs. MS C.48. f.84r-92r", Bologna. English translation by Massimo Redaelli "On the Dissonances", WWW, 2012, 6 pages.
• Abbott, Curtis. "Marching to a Different Ratio. Xenharmonikon. Interval: A Microtonal Newsletter (reviews)", Computer Music Journal vol. 2 no. 2, Sep 1978, pp. 7-8.
• Abddon, Seifed-Din Shehadeh. "Arabic Music: Samaie Farhafza Analysis", May 2003, WWW, 14 pages.
• Abdoli, Sajjad. "Iranian Traditional Music Dastgah Classification", 12th International Society for Music Information Retrieval Conference (ISMIR 2011), 2011, pp. 275-280.
• Abdounur, Oscar João. Matemática e Música: Pensamento Analógico na Construção de Significados. Série Ensaios Transversais, 2nd ed., Escrituras Editora, São Paulo, 1999, 315 pages.
• Abdounur, Oscar João. "Ratios and music in the late middle ages: a preliminary survey", Music and mathematics in late medieval and early modern Europe, Philippe Vendrix (ed.), Brepols Publishers, Turnhout, 2008, 394 pages.
• Abdounur, Oscar João. "The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts", Music Journal of Interdisciplinary Sciences vol. 3 no. 2, Mar 2015, pp. 155-172. Also here, Culture and Cognition. Essays in Honor of Peter Damerow, Jürgen Renn, Matthias Schemmel (eds.), workshop at Max Planck Institute for the History of Science, Dec 2013.
• Abdounur, Oscar João. "Mathematics and Music in Context: The Contribution of Erasmus Horicius to the Emergence of the Idea of Modern Number", International Journal of Mathematical, Engineering and Management Sciences vol. 1 no. 2, 2016, pp. 62-67.
• Abdounur, Oscar João. "Irrationality in theoretical music in the Renaissance", 16th Seminário Nacional de História da Ciência e da Tecnologia, Paraíba, Oct 2018, 9 pages.
• Abdounur, Oscar João. "Structural Mathematical Changes in Theoretical Music in the Early Renaissance", International journal of mathematical, engineering and management sciences vol. 4 no. 1, 2019, pp. 191-198.
• Abdy Williams, C.F. "The 'System' in Greek Music - a Suggestion", The Classical Review vol. 9 no. 82, Nov 1895, pp. 421-427.
• Abel, Carl Friedrich. The pure method for tuning the Harpsichord, according to Abel. London, 2nd half 18th cent.
• Abel, Markus and Steffen Bergweiler. "Synchronization of higher harmonics in coupled organ pipes", International Journal of Bifurcation and Chaos in Applied Sciences and Engineering vol. 17 no. 10, Oct 2007, pp. 3483-3491.
• Abel, Volker, Peter Reiss and Rudolf Wille. "Mutabor II - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Preprint no. 1513, TH Fachbereich Mathematik, Darmstadt, 1992. Also in Mikrotöne IV, Filmkunst-Musikverlag, München, 1993.
• Abel, Volker, Peter Reiss, Rüdiger Krauße and Tobias Schlemmer. "MUTABOR - Ein computergesteuertes Musikinstrument zum Experimentieren mit Stimmungslogiken und Mikrotönen", Technische Universität Dresden, WWW, 2006.
• Abeßer, Jakob; Estafanía Cano; Klaus Frieler; Martin Pfleiderer and Wolf-Georg Zaddach. "Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos", Proceedings of the 16th International Society for Music Information Retrieval Conference, Málaga, Oct 2015, pp. 823-829. Also in IEEE/ACM Transactions on Audio, Speech and Language Processing vol. 25 no. 1, Jan 2017, pp. 168-177.
• Abraham, Gerald u.a. (ed.) Bericht über den siebenten internationalen musikwissenschaftlichen Kongreß, Köln 1958. Bärenreiter, Kassel, 1959, 366 pages.
• Abraham, Otto and Erich Moritz von Hornbostel. "Zur Psychologie der Tondistanz", Zeitschrift für Psychologie und Physiologie der Sinnesorgane vol. 98, 1899.
• Abraham, Otto and Erich Moritz von Hornbostel. "Studien über das Tonsystem und die Musik der Japaner", Sammelbände der internationalen Musikgesellschaft vol. 4 no. 2, Leipzig, Feb 1903, pp. 302-360. Reprint Sammelbände für vergleichende Musikwissenschaft vol. 1, 1922, p. 179.
• Abraham, Otto. "Das absolute Tonbewußtsein und die Musik", Sammelbände der internationalen Musikgesellschaft vol. 8 no. 3, Leipzig, 1907, pp. 486-491.
• Abraham, Otto and Erich Moritz von Hornbostel. "Vorschläge für die Transkription exotischer Melodien", Sammelbände der internationalen Musikgesellschaft vol. 11 no. 1, Oct-Dec 1909, pp. 1-25. Reprint in Musical transcription, Garland, New York, 1990. English translation "Suggested methods for the transcription of exotic music", Ethnomusicology vol. 38 no. 3, autumn 1994, pp. 425-456.
• Abreu, Edward Ayres de. "Sampaio Bruno: melomania tessaradecatónica", A obra e o pensamento de Sampaio Bruno, Celeste Natário; Jorge Cunha and Renato Epifânio (eds.), Universidade Católica Editora, Porto, May 2018, pp. 159-172.
• Abromont, Claude and Eugène de Montalembert. Guide de la Théorie de la Musique. Henry Lemoine, Fayard, 2001, 380 pages.
• Abu Shumays, Sami. "Maqam Analysis. A Primer", Music Theory Spectrum vol. 35 no. 2, 2013, pp. 235-268.
• Accurso, Howard. The Decline of Unequal Temperments in the Nineteenth Century. PhD thesis, in progress.
• Acet, Rusen Can; Batuhan Basar; Tolgahan Cogulu; Atlas Cogulu; Tony Italia and Selcuk Keser. "New Additions to the Guitar Family: Lego and Automatic Microtonal Guitars", Musicologist vol. 6 no. 1, Trabzon University State Conservatory, June 2022, pp. 26-41. Also here.
• Achtélik, Josef. Der Naturklang als Wurzel aller Harmonien. Eine Aesthetische Musiktheorie in Zwei Teilen. 2 vols., Verlag von C.F. Kahnt, Leipzig, 1922. Reprint Forgotten Books, Feb 2019, 234 pages.
• Adamer, Lorenz. "Plutarch's Platonic Question IX: The Trichonomy of the Soul from the Perspective of Music Theory (Politeia 443d-e)", Ploutarchos vol. 17, May 2020, pp. 9-24.
• Adams, Charles R. "Measuring Order and Beauty: On Isaac Newton's 'Discourses of Strings Sounding and Colors Compounding'", WWW, July 2013, rev. 2016, 147 pages.
• Adams, Evan. "What is Rhythmic Dissonance?", The Eagle Feather vol. 14 no. 1, 2017, 22 pages.
• Ader, Lidia Olegovna. "Survivor from Leningrad: an episode from Soviet quarter-tone music" (in Russian), musicus vol. 4, autumn 2008, pp. 45-48.
• Ader, Lidia Olegovna. "Georgy Rimsky-Korsakov and the Circle of quarter-tone music", Museums of theatre and music in the international world: Experience, traditions, collaboration, St. Petersburg, 2008, pp. 89-99.
• Ader, Lidia Olegovna. "Quarter-tone boom at the Conservatory: Petrograd news" (in Russian), Vestsi Belaruskay dzyarzhaunai akademii muzyki vol. 4, 2008, pp. 91-95.
• Ader, Lidia Olegovna. "Microtonal Storm and Stress: Georgy Rimsky-Korsakov and Quarter-Tone Music in 1920s Soviet Russia", Tempo vol. 63 no. 250, Cambridge University Press, Cambridge, Oct 2009, pp. 27-44.
• Ader, Lidia Olegovna. "Art of forgetting-Some mechanisms of resistance to microtonal memory in Russia's 1960s avant-garde", BTC Proceedings, Thessaloniki, July 2010.
• Ader, Lidia Olegovna. "A life paradox of Georgy Rimsky-Korsakov" (in Russian), N.A. Rimsky-Korsakov and his Heritage in Historical perspective. Materials of an international musicological conference, L. Ader, N. Kostenko, N. Metelitsa, N. Feofanova, Ya. Shigareva (eds.), St. Petersburg, 2010, 452 pages.
• Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Instrumentalism in the history of culture, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
• Ader, Lidia Olegovna. "The Concept of Microtonality: Its Origin and Background" (in Russian), Opera musicologica vols. 3-4 nos. 8-9, St. Petersburg, 2011, pp. 114-134.
• Ader, Lidia Olegovna. "Microtonal Instruments: The First Steps from Utopia to Practice" (in Russian), Vremennik Zubovskogo Instituta vol. 7, Evgenia Vladimirovna Hazdan (ed.), Rossijskij Institut Istorii Iskusstv, St. Petersburg, 2011, pp. 52-65.
• Ader, Lidia Olegovna. "Rosyjska muzyka mikrotonowa w latach 10.-20. XX wieku: teorie i praktyki", Glissando: Magazyn o muzyce wspólczesnej vol. 17, Warsaw, 2011, pp. 78-82.
• Ader, Lidia Olegovna. "Microtonal idea: Its Origin and Premises" (in Russian), Opera Musicologica vol. 3-4 no. 9-10, 2012, pp. 114-134.
• Ader, Lidia Olegovna. "Avant-garde headquarters (The Circle of Quarter-tone Music in Petrograd Conservatory)", Opera Musicologica vol. 2, 2012, pp. 80-88.
• Ader, Lidia Olegovna. Mikrotonovaja muzika v Evrope i Rossii v 1900-1920e godi. MSc thesis, Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, St. Petersburg, 2013.
• Ader, Lidia Olegovna. "Game of two cities: Russian microtonal contests in 1920s" (in Russian), Papers collection, Margarita Katounian (ed.), Moscow, 2013.
• Ader, Lidia Olegovna. "Microtonal Russia: 1950-1970s myths and realities", New Sound vol. 41 no. 1, Sep 2013, pp. 42-57.
• Ader, Lidia Olegovna. "Parallel History of Russian Musical Avant-garde", Lietuvos muzikologija vol. 16, 2015, pp. 90-101.
• Ader, Lidia Olegovna. "Elementy romantyczne w muzyce mikrotonowej (The Romantic Approach in Microtonal Music)", Twórczosc kompozytorów slowianskich I polowy XX wieku, Kinga Krzymowska-Szaco (ed.), Lublin, 2017, pp. 157-168.
• Ader, Lidia Olegovna. "Introduction to Microtonal Music", Microtonal Music in Central and Eastern Europe: Historical Outlines and Current Practices, Leon Stefanija and Ruta Staneviciute (eds.), University of Ljubljana, Litovska akademija za glasbo in gledalisce, Vilnius, 2020, 34 pages.
• Adkins, Cecil D. The Theory and Practice of the Monochord. PhD thesis, University of Iowa, Ioway City, 1963. Reprint UMI Dissertation Services (64-3344), Ann Arbor, 501 pages.
• Adkins, Cecil D. "The Technique of the Monochord", Acta Musicologica vol. 39 fasc. 1/2, Jan-June 1967, pp. 34-43.
• Adlington, Robert. "Antara by George Benjamin (CD review)", The Musical Times vol. 135 no. 1812, Feb 1994, p. 95.
• Adlung, Jakob. Anleitung zu der musikalischen Gelahrtheit, theils vor alle Gelehrte, so das Band aller Wissenschaften einsehen, theils vor die Liebhaber der edlen Tonkunst überhaupt, theils und sonderlich vor die, so das Clavier vorzüglich lieben, theils vor die Orgel- und Instrumentenmacher. J.D. Jungnicol, Erfurt, 1758, 844 pages. Also here. 2nd edition Dresden/Leipzig, 1783. Facsimile reprint, Hans-Joachim Moser (ed.), Documenta Musicologica Bd. 4, Bärenreiter, Kassel, 1953.
• Adlung, Jakob; Johann Lorenz Albrecht and Johann Friedrich Agricola. Musica mechanica organoedi: Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung [et]c. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente ... ; Nebst zwey Tabellen und vielen Figuren. Friedrich Wilhelm Birnstiel, Berlin, 1768, 205 pages. Also here and here. Facsimile reprint, Christhard Mahrenholz, Bärenreiter, Kassel, 1930, 1961. English translation Musical mechanics for the organist by Quentin Faulkner, Zea E-Books, Lincoln NE, Oct 2011, 1224 pages (incl. original).
• Adou, Heather Maxwell. "Acoustic Aspects of the Balani of Mali", SAVAIL Working Papers, 2003.
• Adriaansz, Peter. "How I Became a Convert", Thirty-One vol. 1, summer 2009, pp. 8-33.
• Agayeva, S. and S. Hajiyev. "On the Problems of Research the Pitch System of Azerbaijani Mughams", Proceedings of the IInd International Musicological Symposium Space of Mugham, 15-17 March 2011, M. Aliyeva (ed.), International Council for Traditional Music, Baku, 2011, pp. 19-30.
• Agazzari, Agostino. Sacrarum Cantionum quae Binis, Ternis, Quaternisque vocibus concinuntur. Liber II. Cum basso ad organum. Ricciardus Amadinus, Venice, Jan 1608, 1613, 1616.
• Ager, Klaus. "Der Ultrachromatismus Ivan Wyschnegradskys in melodischer und rhythmischer Hinsicht", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 123-126.
• Ager, Klaus; Johannes Kretz; Klaus Lang; Hossam Mahmoud and Dana Cristina Probst. "Mikrotonal komponieren", Österreichische Musikzeitschrift vol. 63 no. 7, July 2008, pp. 26-31. Also here.
• Aggelos, Bousmpouras. "Perceiving patterns of ratios when they are converted from relative durations to melody and from cross rhythms to harmony", Journal of Music and Dance vol. 8 no. 1, Jan 2018, 12 pages.
• Agmon, Eytan. Diatonicism, Chromaticism and Enharmonicism: A Study in Cognition and Perception. City University of New York, University Microfilms International, 1986, 257 pages.
• Agmon, Eytan. "A Mathematical Model of the Diatonic System", Journal of Music Theory vol. 33 no. 1, spring 1989, pp. 1-25. Correction in vol. 33 no. 2, 1989, p. 462.
• Agmon, Eytan. "Equal Division of the Octave in a Scarlatti Sonata", In Theory Only vol. 13 no. 5, 1990, pp. 1-8.
• Agmon, Eytan. "Linear Transformations Between Cyclically Generated Chords", Musikometrika vol. 3, 1991, pp. 15-40.
• Agmon, Eytan. "Towards a Theory of Diatonic Intonation", Interface vol. 22 no. 2, 1993, pp. 151-163.
• Agmon, Eytan. "Coherent Tone-Systems: A Study in the Theory of Diatonicism", Journal of Music Theory vol. 40 no. 1, spring 1996, pp. 39-59.
• Agmon, Eytan. "Numbers and the Western Tone-System: Beyond Psychoacoustics", Journal of the American Mathematical Society, Mar 2003, 18 pages.
• Agmon, Eytan. "Proto-Tonal Theory: Tapping into 9th-Century Insights", Music Theory Spectrum vol. 35 no. 1, spring 2013, pp. 103-110.
• Agmon, Eytan. "Communicating the Primary Intervals", The Languages of Western Tonality, Computational Music Science, Springer, Berlin/Heidelberg, 2013, pp. 67-81.
• Ágnes, Ratkó. Eine Annäherung an historische Stimmungen aus künstlerischer Sicht. MSc thesis, Liszt Ferenc Universität für Musik Doktorandenschule Nr.28 zur Wissenschaft der Kunst- und Kulturgeschichte gehörend, Budapest, 2009.
• Agon, Carlos and Moreno Andreatta. "Outils informatiques pour la classification et la notation des structures micro-intervalliques", Séminaire MaMuX, séance Micro-tonalité et systématique modale, IRCAM, Paris, 8 Nov 2003.
• Aguilar, Juan R. and Renato Salinas. "New Trends in Sound Synthesis and Automatic Tuning of Electronic Musical Instruments", Revista Facultad de Ingeniería, U.T.A. vol. 11 no. 2, University of Santiago of Chile, Dec 2003, pp. 17-23.
• Agustín-Aquino, Octavio Alberto; Julien Junod and Guerino Mazzola. "Towers of Counterpoint", Computational Counterpoint Worlds, Computational Music Science, Springer, 2015, pp. 135-148.
• Agustín-Aquino, Octavio Alberto and Guerino Mazzola. "Modulation in Tetradic Harmony and its Role in Jazz", arXiv 1809.04755, WWW, Sep 2018, 8 pages.
• Agricola, Johann Friedrich. Anleitung zur Singkunst. George Ludewig Winter, Berlin, 1757, 93 pages. Facsimile edition by Erwin R. Jacobi (ed.), Hermann Moeck Verlag, Celle, 1966.
• Agricola, Martin. Musica instrumentalis deudsch, ynn welcher begriffen ist, wie man nach dem Gesange auff mancherley pfeiffen lernen sol, auch wie auff die Orgel, Harffen, Lauten, Geigen und allerley Instrument und Seytenspiel nach der rechtgegründten Tabelthur sey abzusetzen. Georg Rhau, Wittemberg, 1528, 1529, 1542, enlarged 1545, 295 pages. Facsimile edition, Breitkopf und Härtel, Leipzig, 1896. Reprint Georg Olms Verlag, Hildesheim, 1969. Also here. English translation A Treatise on Musical Instruments, 1529 and 1545 by William E. Hettrick (ed.), Cambridge University Press, Cambridge, 1994, 214 pages.
• Agricola, Martin. Musica figuralis deudsch: mit ihrem zugehörenden Exempeln, sampt einem besunderlichen schönen Büchelein von den Proportionibus, welche allen gemeinen Sengern, Instrumentisten und Anhebern dieser Kunst, ganz nützbarlich zu wissen, auffs einfeltigst und vorstentlichst ins Deudsche verfasset. Georg Rhau, Wittemberg, 1532, 120 pages.
• Agricola, Martin. Rudimenta musices, quibus canendi artificium compendiosissime complexum, pueris una cum monochordi dimensione traditur. Georg Rhau, Wittemberg, 1539. Also here. Reprint Broude Brothers, New York, June 1966. English translation The Rudiments of Music by John Trowell, Boethius Press, Aberystwyth, July 1991, 132 pages.
• Agustín-Aquino, Octavio; Jeffery Liu and Guerino Mazzola. "Exploring Exotic Counterpoint Compositions", arXiv 2106.00806, WWW, June 2021, 18 pages.
• Ahlvers, Arthur. Zahl und Klang bei Platon. Noctes Romanae: Forschungen über die Kultur der Antike, Verlag Paul Haupt, Bern & Stuttgart, 1952, 67 pages. English translation Number and Sound in Plato by John Black, Studies in the History of Philosophy, vol. 67, Edwin Mellen Press, Lewiston NY, 2002.
• Ahola, Anu. "Sampo Haapamäki: Quarter-Tone Miracle Man", Suomalaisen Musiikin Tiedotuskeskus/Finnish Music Information Centre (FIMIC), 2012.
• Ahrens, Alvin W. "Characteristic Limitations of the Internal Tuning of Selected Wind Instruments", Journal of Experimental Education vol. 15 no. 4, June 1947, pp. 269-290.
• Ahrens, Christian. "Anmerkungen zu Birsaks Frequenzmessungen an 2 Chalumeaux", Die Musikforschung vol. 28 no. 4, Bärenreiter, Oct-Dec 1975, pp. 442-443.
• Ahrens, Christian. "Ein griechischer Volksmusiker und sein Instrument. Zur Stimmung folkloristischer Aerophone", Studia Instrumentorum Musicae Popularis vol. 7, Erich Stockmann (ed.), Music museum, Stockholm, 1981, pp. 95-101.
• Aikin, Jim. "Discover 19-Tone Equal Temperament", Keyboard, March 1988, pp. 74-80.
• Aikin, Jim. "Just intonation with synth tuning tables", Keyboard, Nov 1994.
• Aikin, Jim. "Playing in the Cracks, Electronic Musician, June 2003.
• Aikin, Jim (ed.) "An Interview with Robert Rich", Keyboard, 2004.
• Aikin, Jim. "Just Intonation Tutor", WWW, 2006.
• Aimé, Puech. "Théodore Reinach. La Musique grecque (book review)", Journal des Savants vol. 2, 1927, pp. 88-89.
• Ainslie Hight, G. "Scales and Tonality", The Musical Times vol. 62 no. 946, Dec 1921, pp. 859-860. Also here.
• Airoldi, Roberto. La teoria del temperamento nell'etá di Gioseffo Zarlino. Presentazione a cura di Elena Ferrari Barassi, Turris, Cremona, 1989, 172 pages.
• Airy, George Bidell. On Sound and Atmospheric Vibrations with the Mathematical Elements of Music. MacMillan and Co, London and Cambridge, 1868, 1871, 280 pages. Reprint Adamant Media Corporation, 2001, 367 pages.
• Aiton, E.J.; A.M. Duncan and J.V. Field. "The Harmony of the World by Johannes Kepler. Translated into English with an Introduction and Notes", Memoirs of the Amercian Philosophical Society held at Philadelphia for Promoting Useful Knowledge vol. 209, 1997.
• Ajotikar, Rasika (ed.) "Sound Collections and Postcolonial India's Cultural Politics: An Interview with Felix van Lamsweerde", the world of music vol. 10 no. 1, 2021, pp. 21-37.
• Akbel, Burcu Avci. "Ögretim Elemanlarinin Viyolonsel Egitiminde Türk Müziginin Kullanilma Durumuna ve Ögretim Yöntemlerine Iliskin Görüsleri" (Opinions of Instructors on The Teaching Methodsof Turkish Music in Cello Education), Egitimde Nitel Arastirmalar Dergisi vol. 6 no. 2, July 2018, pp. 84-107 with English abstract.
• Akkoç, Can. "Non-Deterministic Scales Used in Traditional Turkish Music", Journal of New Music Research vol. 31 no. 4, Dec 2002, pp. 285-293.
• Akkoç, Can; William A. Sethares and Mustafa Kemal Karaosmanoglu. "Experiments on the Relationship between Perde and Seyir in Turkish Makam Music", Music Perception: An Interdisciplinary Journal vol. 32 no. 4, Apr 2015, pp. 322-343.
• Aksoy, Bülent, "Makamin Tanimina Dogru", 1995. Trans. K. Agartan. Musikisinas, Bogaziçi University Turkish Music Club Publication, 2000, pp. 70-87.
• Aksoy, Bülent. Avrupali Gezginlerin Gözüyle Osmanlilarda musikî. 2nd rev. ed., Pan Yayincilik, Istanbul, 2003.
• Alaleona, Domenico. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.
• Alaleona, Domenico. "Le tonalità neutre e l'arte di stupore", Rivista Musicale Italiana vol. 18, 1911, pp. 769-838.
• Al-attas, Ahmad Fahmy. "Tala", WWW, 2015, 94 pages.
• Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923-24)", Concert 10, Contrechamps, Genève, 2000.
• Albersheim, Gerhard. "Overtones and Music Theory", Bulletin of the American Musicological Society no. 11/12/13, Sep 1948, pp. 69-71.
• Albersheim, Gerhard. "Die Tonstufe", Die Musikforschung vol. 16 no. 2, Apr-June 1963, pp. 139-152. English translation "The Scale Step", Philosophy and Phenomenological Research vol. 26 no. 1, Sep 1965, pp. 63-79.
• Albersheim, Gerhard. "On some new ideas in the psychology and theory of music", Journal of the Indian Musicological Society vol. 11 no. 3-4, Sep-Dec 1980.
• Albini, Giovanni and Samuele Antonini. "Hamiltonian Cycles in the Topological Dual of the Tonnetz", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University Press, New Haven CN, pp. 1-10.
• d'Albiz, Joseph Lubet. Création Harmonique, étoile musicale composée pour piano ou orgue à quarts de ton. BN Vm (8) 532, Paris, Jan 1858. Hachette Livre BNF, 2018.
• Albornoz, A. "Computer Music in Chile: The Beginning and some paths to the future: An historical review", 2015.
• Albrecht, Jan. "Essays über Kunst. Ein Teufelsgespräch über die Zukunft der Musik (zu Thomas Manns Roman Doktor Faustus)", Zbornik filosoficke fakulty university Komenskeho vol. 22, Bratislava, 1971, pp. 99-137.
• Albrecht, Johann. Gründliche Einleitung in die Anfangslehren der Tonkunst: zum Gebrauche musikalischer Lehrstunden nebst einer Erklärung der vornehmsten sowohl in der Vokal- als Instrumentalmusik vorkommenden Kunstwörter und einem Abrisse einer musikalischen Bibliothek. Martini, Langensalza, 1761, 136 pages.
• Albrecht, Joshua and David Huron. "On the emergence of the major-minor system: cluster analysis suggests the late 16th century collapse of the dorian and aeolian modes", WWW, July 2012, 35 pages.
• Albrecht, Hartwig. Tonartencharakteristik und Temperatur. 'Ein Märchen aus alten Zeiten', oder auch: Die Geburt der Mathematik aus dem Geist der Musik. WWW, 2011, 45 pages.
• Albrechtsberger, Johann Georg. Gründliche Anweisung zur Composition: mit deutlichen und ausführlichen Exempeln, zum Selbstunterrichte, erläutert und mit einem Anhange: Von der Beschaffenheit und Anwendung aller jetzt üblichen musikalischen Instrumente. Johann Gottlob Immanuel Breitkopf, Leipzig, 1790, 440 pages, p. 419.
• Albritton, Jerry Samuel. A historical survey of important tuning systems in Western music. MA thesis, Florida State University, Tallahassee, 1969.
• Alburger, Mark. "La Mont Young to 1960", 21st Century Music vol. 10 no. 3, 2003.
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• anonymus. Ganz Neue Und Vollständige Anleitung, Nach Welcher Man Clavierinstrumente Temperiren...Nach Asioli, Pizzati, D'Alembert, Rameau, Kirnberger, Vogler, Weller, Fritzen. Artaria Verlag, Vienna.
• anonymus. "Ueber mathematische Stimmung, gleichmässige und ungleichmässige Temperatur überhaupt, so wie über Orgel- und Klavierstimmung nach der Scheibler'schen Methode insbesondere. Ein Leitfaden für Musiker, Organisten, Instrumentenmacher, Klavier- und Orgelstimmer von L. Schwabe, Kantor an der Stadtkirche zu Giessen (book review)", Allgemeine Musikalische Zeitung vol. 50 no. 40, Oct 1848, pp. 651-655.
• anonymus. "Zur Geschichte der Charakteristik der Tonarten", Niederrheinische Musik-Zeitung für Kunstfreunde und Künstler vol. 5 no. 17 and no. 19, DuMont-Schauberg, Cologne, 09 May 1857.
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• anonymus. Nouvel essai sur la théorie physico-mathématique de la musique. de Vanlinthout, Louvain, 1859.
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• anonymus. "Correspondence: Mr. R. Brown, of Fairlie, has kindly addressed us a long and abstruse reply to two of Mr. Parkinson's queries in our paper of the 29th of September", The Musical Standard: A Newspaper for Musicians, Professional and Amateur vol. 5, William Reeves, London, 1866, p. 309.
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• anonymus. "Bericht der Wetterauischen Gesellschaft für die Gesamte Naturkunde zu Hanau: über den Zeitraum .... 1863/67. - 1868", Wetterauische Gesellschaft für die Gesamte Naturkunde, Hanau, 1868.
• anonymus. "Bericht. 8. 1866/68. - 1868", Naturforschende Gesellschaft Bamberg, Bamberg, 1868.
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• anonymus. Die Kunst des Klavierstimmens: [Aus Schafhäutls Nachlass.] Anweisung wodurch sich jeder Musikverständige sein Klavier selbst rein stimmen und etwaige Störungen in der Mechanik beseitigen kann. Nebst belehrenden Regeln bei Ankauf, Transport, Aufstellung und Haltung desselben. Eine neue leicht begreifliche Stimm-Methode auf 48 jährige Erfahrung begründet von einem praktischen Klavierstimmer und Lehrer. Verlag von Carl Minde, Leipzig, c.1870, 64 pages.
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• anonymus. "Query 4626: The Harp", English Mechanic and World of Science no. 379, 28 June 1872, pp. 510-511.
• anonymus. "Query 4740: On Tuning, and Reduction in the Size of Musical Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 567.
• anonymus. "Query 4806 and 4842: Tuning Keyed Instruments", English Mechanic and World of Science no. 379, 28 June 1872, p. 618, 643.
• anonymus. "Die reine oder natürliche Stimmung musikalischer Instrumente", Musikalisches Wochenblatt: Organ für Musiker und Musikfreunde, Ludwig Frankenstein (ed.), Fritzsch, Leipzig, 26 July 1872.
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• anonymus. "Hindu Music", The Musical Times and Singing Class Circular vol. 18 no. 409, Mar 1877, pp. 111-113.
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• anonymus (A.O.D.) "De gustibus - Musical temperament", Knowledge: An Illustrated Magazine of Science Plainly Worded-Exactly Described vol. 8 no. 199, Aug 1885, p. 166.
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• anonymus. "W.S.B. Woolhouse: Treatise on Musical Intervals, Temperament, and the Elementary Principles of Music (book review)", The Musical Times and Singing Class Circular vol. 30 no. 552, Feb 1889, p. 106.
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• anonymus. Chinese music. Edited for and copyrighted by Quon-Quon Company, Los Angeles, 1944, 15 pages.
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• anonymus. The Study of Pitch Frequency of Thai Traditional Music - An HM the King Bhumibol's Initiative. Chulalongkorn University, 1999, RueanKaew Press, Bangkok.
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• Barbieri, Patrizio. "An unknown 15th-century French manuscript on organ building and tuning", The Organ Yearbook vol. 20, 1989, pp. 5-20.
• Barbieri, Patrizio. "Conflitti di intonazione tra cembalo, liuto ed archi nel 'concerto' italiano del Seicento", Studi Corelliani vol. 4, Pierluigi Petrobelli and Gloria Staffieri (eds.), Olschki, Florence, 1990, pp. 123-153.
• Barbieri, Patrizio. "L'intonazione violinistica da Corelli al Romanticismo", Studi Musicali vol. 19 no. 2, 1990, pp. 319-384.
• Barbieri, Patrizio. "Gli armonisti padovani del Santo nel settecento", Storia della musica, Neri Pozza Editore, Vicenza, 1990, pp. 199-221.
• Barbieri, Patrizio. "Gli ingegnosi cembali e 'violicembali' inventati da Juan Caramuel Lobkowitz per Ferdinando III (c.1650): notizie inedite dal manoscritto Musica", Le meraviglie del probabile. Juan Caramuel 1606-1682. Atti del Convegno internazionale di studi (Vigevano, 29-31 ottobre 1982), Paolo Pissavino (ed.), Edizioni del Comune, Vigevano, 1990, pp. 91-112.
• Barbieri, Patrizio. "La Nuova teoria di musica di Alessandro Barca in un inedito esame di Giordano Riccati (1786-90)", Scritti in onore di Giulio Cattin, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 1990, pp. 159-176.
• Barbieri, Patrizio. "Diapason, 'chiavette' et intonation dans l'interprétation de Palestrina", L'interprétation de Palestrina - Journées d'étude, Royaumont, Oct 1990, Association Palestrina, Paris, 1991, pp. 25-43.
• Barbieri, Patrizio. "Considerazioni sull' Accordatura Strumentale al Tempo di Mozart", Strumenti per Mozart, Marco Tiella and Romano Vettori (eds.), Longo Editore, Rovereto, 1991, pp. 61-69.
• Barbieri, Patrizio. "Calegari, Vallotti, Riccati e le teorie armoniche di Rameau: priorità, concordanze, contrasti", Rivista Italiana di Musicologia vol. 26 no. 2, 1991, pp. 241-302.
• Barbieri, Patrizio. "Il 'migliore' sistema musicale temperato: 'Querelles' fra Estève, Romieu e altri accademici francesi (c.1740-60)", L'Organo vol. 27, Bologna, 1991-1992, pp. 31-81.
• Barbieri, Patrizio. "Krizanic, Caramuel e P.F. Valentini sulla divisione dell'ottava musicale", Krizanicev doprinos teorij glazbe (International Symposium on Juraj Krizanic) vol. 4, Zagreb, 1983. Hrvatska Akademija Znanosti i Umjetnosti u Zagrebu, Zagreb, 1992, pp. 19-40. Summary in Croatian.
• Barbieri, Patrizio. "Giordano Riccati fisico acustico e teorico musicale: Con una memoria inedità di acustica architettonica", I Riccati e la cultura della Marca nel Settecento europeo, Olschki, Florence, 1992, pp. 279-304.
• Barbieri, Patrizio. "Tartinis Dritter Ton und Eulers Harmonische Exponenten. Mit einem unveröffentlichten Manuskript Tartinis", Musiktheorie vol. 7 no. 3, 1992, pp. 219-234. Revised version in Musiktheorie vol. 8 no. 1, 1993.
• Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Sigfried Gmeinwieser; David Hiley and Joerg Riedlbauer (eds.), Olschki, Firenze, 1994, pp. 209-232.
• Barbieri, Patrizio. "Il sistema armonico di Tartini nelle 'censure' di due celebri fisico-matematici: Eulero e Riccati", Tartini. Il tempo e le opere, A. Bombi & M.N. Massaro (eds.), Il Mulino, Bologna, 1994, pp. 321-344.
• Barbieri, Patrizio. "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona, 28-29 October 1994, Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000.
• Barbieri, Patrizio. "L'accordatura strumentale in Toscana: proposte e contrasti da V. Galilei a Cristofori (c.1580-1730)", Musicologia humana. Studies in honor of Warren and Ursula Kirkendale, Siegfried Gmeinwieser, David Hiley and Jörg Riedlbauer (eds.), Olschki, Florence, 1994.
• Barbieri, Patrizio. "Il mesolabio e il compasso di proporzione: le applicazioni musicali di due strumenti matematici (1558-1675)", Musica, scienze e idee nella Serenissima durante il Seicento. Atti del Convegno Internazionale di studi, Venezia 13-15 dicembre 1993, Francesco Passadore and Franco Rossi (eds.), Edizioni Fondazione Levi, Venice, 1996.
• Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
• Barbieri, Patrizio. "The inharmonicity of musical string instruments (1543-1993). With an unpublished memoir by J.-B. Mercadier (1784)", Studi Musicali vol. 27 no. 2, 1998, pp. 383-419. Italian translation by P. Barbieri "L'inarmonicità degli strumenti musicali a corda (1543-1993). Con una memoria inedita di J.-B. Mercadier (1784)", Strumenti, musica e ricerca. Atti del Convegno internazionale, Cremona 28-29 ottobre 1994, Elena Ferrari Barassi, Marco Fracassi and Giampaolo Gregori (eds.), Ente Triennale Internazionale degli Strumenti ad Arco, Cremona, 2000, pp. 254-292.
• Barbieri, Patrizio. "Corista, chiavette e intonazione nella prassi romana e veneto-bolognese del tardo Rinascimento", Ruggero Giovannelli [...], Atti del Convegno Internazionale di Studi, Carmela Bongiovanni and Giancarlo Rostirolla (eds.), Fondazione Giovanni Pierluigi da Palestrina, Palestrina, 1998, pp. 433-457.
• Barbieri, Patrizio. "Gli strumenti poliarmonici di G.B. Doni e il ripristino dell'antica musica greca (c.1630-1650)", Analecta Musicologica vol. 30, 1998, pp. 79-114.
• Barbieri, Patrizio. "G.B. Orazi's Enharmonic Flute and its Music (1797-1815)", Galpin Society Journal vol. 52, 1999, pp. 281-304.
• Barbieri, Patrizio and Lindoro Massimo del Duca. "Late-Renaissance Quarter-tone Compositions (1555-1618): The Performance of the ETS-31 with a DSP System", Musical Sounds from Past Millennia: Proceedings of the International Symposium on Musical Acoustics 2001, Diego L. González, Domenico Stanzial and Davide Bonsi (eds.), 2 vols., Fondazione Giorgio Cini, Venice, 2001.
• Barbieri, Patrizio. "'Galileo's' coincidence theory of consonances, from Nicomachus to Sauveur", Recercare vol. 13, 2001, pp. 201-232.
• Barbieri, Patrizio. "Il temperamento equabile nell'Ottocento napoletano: l'acustico P. A. de Luca (1778-1864) e i suoi manoscritti inediti", L'Organo vol. 35, 2002, pp. 93-122.
• Barbieri, Patrizio. "The evolution of open-chain enharmonic keyboards c.1480-1650", "L'evoluzione delle tastiere enarmoniche a catena aperta c.1480-1650", Chromatische und enharmonische Musik und Musikinstrumente des 16. und 17. Jahrhunderts, Schweizer Jahrbuch für Musikwissenschaft vol. 22, Joseph Willimann (ed.), Verlag Peter Lang, Bern, 2002, pp. 145-184, 185-228.
• Barbieri, Patrizio. "La nascita delle teorie continue della consonanza. La ignorata curva di Draghetti e Foderà, poi di Helmholtz (1771-1837)", Acta Musicologica vol. 74, 2002, pp. 55-75.
• Barbieri, Patrizio. "Temperaments - Historical", Piano: An Encyclopedia, 2nd edition, Robert Palmieri and Margaret W. Palmieri (eds.), Routledge, New York, 2003, pp. 402-409.
• Barbieri, Patrizio. "Consonanze, scale e temperamenti", Acustica musicale e architettonica, Sergio Cingolani and Renato Spagnolo (eds.), UTET Libreria, Torino, 2005, pp. 31-70, 913-916.
• Barbieri, Patrizio. "Pietro Della Valle: the Esthèr oratorio (1639) and other experiments in the stylus metabolicus. With new documents on triharmonic instruments", Recercare vol. 19 no. 1-2, 2007, pp. 73-124.
• Barbieri, Patrizio. "Il revival delle tastiere enarmoniche: nuove soluzioni (1760-1880)", L'Organo vol. 39, 2007, pp. 175-236.
• Barbieri, Patrizio. "Cembali a tasti spezzati: 'cromatci' oppure 'enarmonici'?", Bollettino della Deputazione di Storia patria per l'Umbria CV-2, 2008, pp. 125-130. Reprint Arte organaria e musica per organo nell'età moderna. L'Umbria nel quadro europeo, Erika Bellini (ed.), Deputazione di Storia patria per l'Umbria, Perugia, 2008, pp. 125-130.
• Barbieri, Patrizio. Enharmonic instruments and music, 1470-1900. Revised and translated studies. Il Levante Libreria Editrice, Latina, 2008, 628 pages with CD.
• Barbieri, Patrizio. "On the linear approximation of equal temperament proposed by the organ builder Giambattista De Lorenzi (1870)", Musica e Storia vol. 17, Aug 2009, pp. 451-463. Italian translation by P. Barbieri "Su di una approssimazione del temperamento equabile proposta da Giambattista De Lorenzi (1870)", Contributi per la storia dell'arte organaria e organistica in Italia, Paola Dessì (ed.), Edizioni Fondazione Levi, Venezia, 2012.
• Barbieri, Patrizio. "Musiche e strumenti 'alla Greca' nel Seicento italiano", Francesco Buti tra Roma e Parigi: diplomazia, poesia, teatro, Francesco Luisi (ed.), Torre d'Orfeo, Roma, 2009, pp. 349-364.
• Barbieri, Patrizio. Physics of wind instruments and organ pipes 1100-2010. New and extended writings. Il Levante Libreria Editrice, Latina, 2013, 580 pages.
• Barbieri, Patrizio. "Harps Versus Pianos: Parisian querelles on Tuning 1770-1830", Galpin Society Journal vol. 70, Apr 2017, pp. 45-63.
• Barbieri, Patrizio (ed.) Symposium on Nicola Vicentino's Arciorgano and the Clavemusicum Omnitonum, Basel, 23-25 November 2017", Musik-Akademie, Basel, 2017.
• Barbieri, Patrizio. Un ignorato manoscritto francese del secolo XV sulla costruzione e accordatura dell'organo", Arte Organaria Italiana vol. 10, 2018, pp. 9-26.
• Barbieri, Patrizio. Allargamento tonale nelle composizioni per tastiera al tempo di Frescobaldi. Con sviluppi tardo-seicenteschi verso temperamenti di tipo circolante", Informazione Organistica vol. 31 no. 2, Dec 2019, pp. 179-216.
• Barbieri, Patrizio. Quarrels on Harmonic Theories in the Venetian Enlightenment. Libreria Musicale Italiana, Lucca, 2020, 386 pages.
• Barbieri, Patrizio. "L'organo romano: nuove acquisizioni sul corista, tastiere e registri, c.1480-1750", Arte organaria italiana vol. 13, 2021, pp. 151-232.
• Barbiero, Daniel. "Review of Johnston Quartets 6, 7, 8 (CD review)", 2016.
• Barbour, James Murray. "Synthetic Musical Scales", American Mathematical Monthly vol. 36 no. 3, 1929, pp. 155-160. Also here.
• Barbour, James Murray. Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD thesis, Cornell University, Ithaca NY, 1932, 353 pages.
• Barbour, James Murray. "The Persistence of the Pythagorean Tuning System", Scripta Mathematica vol. 1, 1933, pp. 286-304.
• Barbour, James Murray. "Nierop's Hackebort", The Musical Quarterly vol. 20 no. 3, July 1934, pp. 312-319. Also here.
• Barbour, James Murray. "Just Intonation Confuted", Music & Letters vol. 19 no. 1, Jan 1938, pp. 48-60.
• Barbour, James Murray. "Musical logarithms", Scripta Mathematica vol. 7, 1940, pp. 21-31.
• Barbour, James Murray. "Bach and the 'Art of Temperament'", The Musical Quarterly vol. 33 no. 1, Jan 1947, pp. 64-89. Also in Garland Library of HWM vol. 6, 1985, pp. 2-27.
• Barbour, James Murray. "Music and Ternary Continued Fractions", American Mathematical Monthly vol. 55 no. 9, Nov 1948, pp. 545-555.
• Barbour, James Murray. "Irregular Systems of Temperament", Journal of the American Musicological Society vol. 1 no. 3, 1948, pp. 20-26.
• Barbour, James Murray. "Musical Scales and Their Classification", Journal of the Acoustical Society of America vol. 21 no. 6, Nov 1949, pp. 586-589.
• Barbour, James Murray. "Genesis of a Music by Harry Partch (book review)", The Musical Quarterly vol. 36 no. 1, Jan 1950, pp. 131-135.
• Barbour, James Murray. "More on the Leipzig Organ Tuning", Journal of the American Musicological Society vol. 3 no. 1, spring 1950, pp. 41-44.
• Barbour, James Murray. Tuning and Temperament: A Historical Survey. Michigan State College Press, East Lansing, 1951. Reprint Da Capo Press, New York, 1973, 228 pages. Reprint Dover, New York, 2004, 256 pages.
• Barbour, James Murray. "Les Gammes musicales by Antoine Auda (book review)", Journal of the American Musicological Society vol. 4 no. 1, spring 1951, pp. 40-42.
• Barbour, James Murray. "Violin Intonation in the 18th Century", Journal of the American Musicological Society vol. 5 no. 3, autumn 1952, pp. 224-234.
• Barbour, James Murray. "The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar (book review)", Notes vol. 10 no. 4, Sep 1953, pp. 641-642.
• Barbour, James Murray. "A Geometrical Approximation to the Roots of Numbers", The American Mathematical Monthly vol. 64 no. 1, Jan 1957, pp. 1-9.
• Barbour, James Murray. "The Principles of Greek Notation", Journal of the American Musicological Society vol. 13 no. 1/3, A Musicological Offering to Otto Kinkeldey upon the Occasion of his 80th Anniversary, 1960, pp. 1-17.
• Barbour, James Murray. "Mißverständnisse über die Stimmung des javanischen Gamelans", Die Musikforschung vol. 16 no. 4, Kassel, Oct-Dec 1963, pp. 315-323.
• Barbour, James Murray. "Temperatur und Stimmung", Die Musik in Geschichte und Gegenwart Band 12, Friedrich Blume (ed.), Kassel, 1965, pp. 213-227.
• Barca, Alessandro. Nuove teoremi per la divisione delle ragioni... Bergamo, 1781.
• Barca, Alessandro. "Introduzione ad una Nuova teoria di musica - Memoria prima", Saggi scientifici e lattari, Accademia di scienze, lettere ed arti in Padova, 1786, pp. 365-418.
• Barca, Alessandro. Introduzione ad una Nuova teoria di musica - Memoria seconda. Padova, 1789. New edition Introduzione a una Nuova teoria di musica - Memoria seconda: De suoni aggiunti ossia delle dissonanze e dell'armonia dissonante. 1809.
• Barca, Alessandro. Di una nuova Teoria di Musica - Memoria III: Dei sistemi e delle scale. I. Bg. S. Aless, Bergamo, 1800-1805. Also in Saggi scientifici e letterari dell' ia di Padova vol. 4, 1809, pp. 184-221.
• Barca, Alessandro. De 'Principi del temperamento della nostra musica. I. Bg. S. Aless, Bergamo, 1806.
• Barcelona, John. "Tone Color and Intonation", Flute Talk, Sep 2004, p. 32.
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• Bargrizan, Navid. "A new opera concept: an identity quest mediated by digital media and microtones in Manfred Stahnke's Orpheus Kristall (2001)", Proceedings of the 9th Conference on Interdisciplinary Musicology - CIM14, Berlin, 2014, 4 pages.
• Bargrizan, Navid. "Technology, Microtones, and Mediation in Manfred Stahnke's Orpheus Kristall", Müzik-Bilim Dergisi: The Journal of Musicology vol. 1 no. 6, 2015, pp. 11-28.
• Bargrizan, Navid. "Review of Kepler Quartet's CD of Ben Johnston's String Quartets nos. 6, 7, 8 (CD review)", Journal of the Society for American Music vol. 11 no. 1, Feb 2017, pp. 118-120.
• Bargrizan, Navid. "S. Andrew Granade: Harry Partch, Hobo Composer (book review)", Journal of the Society for American Music vol. 11 no. 2, Cambridge University Press, New York, May 2017, pp. 235-237.
• Bargrizan, Navid. "Just Intonation, Dastgah-Music, and Scordatura in Kupferteich", Mikrotöne: Small is Beautiful vol. 5, International Ekmelic Music Society, Salzburg, June-July 2024, Mackingerverlag, Bergheim bei Salzburg, 2024, pp. 7-13.
• Barkechli, Mehdi. "La gamme de la musique Iranienne", Cahier d'Acoustique in Annales des Télécommunications vol. 5, May 1947, p. 5.
• Barkechli, Mehdi. "La gamme persane et ses rapports avec la gamme occidentale", Olympia vol. 1 no. 1, 1950, p. 53.
• Barkechli, Mehdi. "Mésure des intervalles harmoniques de la gamme à partir de la sensation subjective de consonnance", Acta Acustica vol. 2 no. 6, 1952, pp. 242-250.
• Barkechli, Mehdi. "Quelques idées nouvelles sur la consonance", Colloque International d'Acoustique Musicale, Centre National de la Recherche Scientifique no. 84, Paris, 1958, pp. 21-28.
• Barkechli, Mehdi. "L'évolution de la gamme dans la musique orientale", Colloque International d'Acoustique Musicale, Centre National de la Recherche Scientifique no. 84, Paris, 1958, pp. 39-45.
• Barkechli, Mehdi. "Les échelles régulières du cycle des quintes et leurs déformations occasionelles dans les cadres non pentatoniques", in coll. intern. CNRS La résonance dans les échelles musicales, Edt. CNRS, Paris, 1960, p. 173.
• Barkechli, Mehdi and Moussa Ma'aroufi. La musique traditionelle de l'Iran / Les systèmes de la musique traditionnelle de l'Iran (radif) avec Transcription et notation musicale occidentale. Secrétariat d'État aux Beaux-Arts, Teheran, 1963. Also in Farsi moosiqi-ye sonnati-ye iran, Teheran, 1963.
• Barker, Andrew. "Music and Perception: A Study in Aristoxenus", Journal of Hellenistic Studies vol. 98, 1978, pp. 9-16.
• Barker, Andrew. "Hoi Kaloumenoi Harmonikoi: The Predecessors of Aristoxenus", Proceedings of the Cambridge Philological Society vol. 24, 1978, pp. 1-21.
• Barker, Andrew. "Aristides Quintilianus and Constructions in Early Music Theory", The Classical Quarterly vol. 32 no. 1, 1982, pp. 184-197.
• Barker, Andrew; John Stevens and Peter le Huray (eds.) Greek Musical Writings. Vol. 1 The Musician and his Art. Vol. 2 Harmonic and Acoustic Theory. Cambridge Readings in the Literature of Music, Cambridge University Press, Cambridge, 1984, 1989, 1990, 2004, 328 and 592 pages.
• Barker, Andrew. "Ptolemy's Pythagoreans, Archytas, and Plato's Conception of Mathematics", Phronesis vol. 39 no. 2, 1994, pp. 113-135.
• Barker, Andrew. Scientific Method in Ptolemy's 'Harmonics'. Cambridge University Press, Cambridge, 2001, 290 pages.
• Barker, Andrew. "Words for sounds", Science and mathematics in ancient Greek culture, Jan 2002.
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• Barker, Andrew. Andrew Barker Collection. Open source collection of 36 works, WWW, 2021.
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• Barkowsky, Johannes. Anleitung zur Berechnung von Intervallen in einigen musikalischen Stimmungssystemen. Forschungsbericht 5, Hochschule für Musik, Theater und Medien, Hannover, 1996, Feb 2011, 19 pages.
• Barlow, Clarence. Bus journey to Parametron. Feedback Papers vol. 21-23, Feedback Studio Verlag, Köln, 1980. Deutsche Zusammenfassung "Busreise nach Parametron", Neuland vol. 1, Herbert Henck (ed.), Bergisch Gladbach, 1980, pp. 114-118.
• Barlow, Clarence. "Zur Harmonik nordindischer Raagen oder: Was ist überhaupt ein Raag?", Weltmusik vol. 1, Feedback Papers (Sonderheft), Peter Ausländer and Johannes Fritsch (eds.), Köln, 1981, pp. 103-114.
• Barlow, Clarence and Henning Lohner (ed.) "Two Essays on Theory", Computer Music Journal vol. 11 no. 1, spring 1987, pp. 44-60.
• Barlow, Clarence. "AUTOBUSK - An Algorithmic Real-Time Pitch & Rhythm Improvisation Programme", Proceedings of the International Computer Music Conference, Glasgow, 1990, pp. 166-168.
• Barlow, Clarence. "Harmonik und Quantität", Ex Machina 1990: Das Buch zum Festival, Folkwang-Hochschule Essen, 1990, pp. 47-55.
• Barlow, Clarence (ed.) The Ratio Book. Proceedings of the Ratio Symposium from 14 to 16 December 1992 in The Hague, Feedback Papers vol. 43, Feedback Studio Verlag, Köln, 1999, 349 pages. Articles by Clarence Barlow, Demetrios Lekkas, Anne La Berge, Wim van der Meer, Schu-chi Lee, Bernard Bel, James Tenney, Pascal Decroupet, Volker Abel, Hartmut Möller, Daniel Wolf, Keith Howard, Habib Touma, Stan Tempelaars, Barbara Thornton and Wouter Swets.
• Barlow, Clarence. "'...Eine arithmetische Übung der Seele...' (Über die Rationalisierung einer harmonisch irrationalen Tonhöhenmenge sowie Ist die Harmonik ein Spezialfall der Polymetrik?)", Drei ausgewählte Vorträge zur Musikinformatik, Musikwissenschaftliches Institut der Johannes-Gutenberg-Universität Mainz, IAK-Sonderband, Bericht Nr.34, 1998, pp. 11-32.
• Barlow, Clarence. Von der Musiquantenlehre. Band 1: Texte. Feedback Papers vol. 34, Feedback Studio Verlag, Köln, 2008, 68 pages. English translation On Musiquantics, Musikinformatik & Medientechnik vol. 51, University of Mainz, 2012.
• Barlow, Clarence. "Chorale Synthesis by the Multidimensional Scaling of Pitches", 11th Sound and Music Computing Conference and 40th International Computer Music Conference (SMC/ICMC2014), 14-20 Sep 2014, Athens, pp. 32-36.
• Barlow, Wayne. "Tuning and Temperament by J. Murray Barbour (book review)", Journal of the American Musicological Society vol. 6 no. 2, summer 1953, pp. 185-186.
• Barnard, Hans and D.J. Hamoen. "Het 19-toons orgel uit Keiolonië", Bouwbrief vol. 34, Vereniging Huismuziek, Utrecht, Aug 1984, pp. 14-19.
• Barnard, Hans et al. De Keiaanse Muziek. Derde uitgave, Stichting Vrienden van Keiolonië, Amsterdam-Texel, 1985, 67 pages.
• Barnard, Hans, L. Sluiter and B. den Hollander. "Keiaanse muziekinstrumenten", Bouwbrief vol. 37, May 1985, pp. 7-8.
• Barnard, Hans, W.Z. Wendrich and Bart Hopkin. "Kayenian musical instruments", Experimental Musical Instruments vol. 3 no. 1, June 1987, pp. 14-15.
• Barnard, Hans. "The matzaar and aliquot tonescales", Experimental Musical Instruments vol. 6, Dec 1990, pp. 18-19.
• Barnard, Hans. "Musical Tuning and Notation in Kayolonia", WWW, 2003.
• Barnes, John; John R. White and Hector C. Parr. "Mean Tone Tuning", The Musical Times vol. 105 no. 1460, Oct 1964, pp. 744-745.
• Barnes, John. "The Specious Uniformity of Italian Harpsichords", Keyboard Instruments: Studies in Keyboard Organology, E.M. Ripin (ed.), Edinburg, 1971, 1977, pp. 1-10.
• Barnes, John. "Bach's Keyboard Temperament: Internal Evidence from the Well-Tempered Clavier", Early Music vol. 7 no. 2, Apr 1979, pp. 236-249. Followup correspondence in Early Music vol. 8, 1980, pp. 511-513 (Philip P. Jones); vol. 9, Jan 1981, p. 141 (H.A. Kellner); Apr 1981, pp. 219-221 (Claudio Di Veroli); Oct 1981, p. 579 (John Barnes).
• Barnes, John. "Reconstruction of Douwes' clavichord", De Clavicordio, Proceedings of the International Clavichord Symposium, B. Brauchli, S. Brauchli and A. Galazzo (eds.), Magnano, 1993, pp. 75-77.
• Baroin, Gilles; André Calvet and Stéphane Marcand. "Tempéraments et visualisations", presentation at Séminaire MaMux, Paris, 6 Feb 2015.
• Baroin, Gilles and André Calvet. "Visualizing Temperaments: Squaring the Circle?", Mathematics and Computation in Music, 7th International Conference, MCM 2019, Madrid, 18-21 June 2019 proceedings, Mariana Montiel; Francisco Gomez-Martin and Octavio A. Agustín-Aquino (eds.), Series: Lecture Notes in Computer Science, Springer International Publishing, 2019, pp. 333-337.
• Baroin, Gilles and André Calvet. "Outils d'informatique musicale appliques en temperamentologie", Journées d'Informatique Musicale, Oct 2020, Strasbourg, 4 pages.
• Baron, Carol K. "George Ives's Essay in Music Theory: An Introduction and Annotated Edition", American Music vol. 10 no. 3, autumn 1992, pp. 239-288.
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• Barrachina, José Ibáñez and María Isabel de Vicente-Yagüe Jara. "Música y Astronomía en el aula. La composición musical en el Grado de Educación Primaria a partir de Kepler", 3rd International Congress of Educational Sciences and Development, San Sebastián, 24-26 June 2015, pp. 989-1000.
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